Bovaflux
Inside the Megatree/ToolshedThis is the 3rd release on Bovaflux’s (Eddie Simmonds) own CDR label. [d]-tached is an example of what people can achieve on their own when they have an internet connection, decent tunes and the desire to get their music out into the ether. There is now no need for people to cry into their laptops because busy labels like Skam and Warp have not replied to their demos. Fuck it get it out yourself.
Inside the Megatree starts off as a very pleasant meandering electronica track, with nice slow glitchy breaks and a dash of shoe-gazing funk. Subtle little bass stabs and a sweet little melody lull you into false sense of security, making you think this is going to be a serene electronica piece. Then the beats start to become a little more erratic, the tempo gets faster and harder beats being to hit and before you know it the track has about faced into a fucked-up breakbeat monster. The melody is beefed, the bass is upped a notch and the glitches become more prominent. It’s a great track for any DJ wanting to push an electronica set towwards something more dancefloor.
The second and last tracks on this single are more steppy affairs; they have that garage sound 'when its not garage' sort of thing going on like Rephlex’s grime stuff but a bit less yo yo yo bad boy. This is still head nodding electronica, but with dance floor basslines that you can feel in your sphincter.
This is a great, if not a little short, CDR single that fills a nice little hole between electronica and breaks.
Inside the Megatree starts off as a very pleasant meandering electronica track, with nice slow glitchy breaks and a dash of shoe-gazing funk. Subtle little bass stabs and a sweet little melody lull you into false sense of security, making you think this is going to be a serene electronica piece. Then the beats start to become a little more erratic, the tempo gets faster and harder beats being to hit and before you know it the track has about faced into a fucked-up breakbeat monster. The melody is beefed, the bass is upped a notch and the glitches become more prominent. It’s a great track for any DJ wanting to push an electronica set towwards something more dancefloor.
The second and last tracks on this single are more steppy affairs; they have that garage sound 'when its not garage' sort of thing going on like Rephlex’s grime stuff but a bit less yo yo yo bad boy. This is still head nodding electronica, but with dance floor basslines that you can feel in your sphincter.
This is a great, if not a little short, CDR single that fills a nice little hole between electronica and breaks.
