Welcome to Spannered’s music feature and review archive. What’s in here then? Well, since the site was launched in 2006, Spannered has run in-depth interviews with globetrotting tastemakers Kode9DJ Ripley and Maga Bo, tripped over to Barcelona's Sónar festival, fallen over at the first ever Bloc Weekend, toured New York's global music circuit and gotten tinnitus in Bristol and São Paulo.
 
Spannered's archive stretches all the way back to 2000, however. Have a dig about and you'll unearth interviews and features with Jeff Mills and Photek, write-ups of Cat Power and Caribou gigs, and album reviews spanning Aphex Twin to NoMeansNo.
 
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Jeff Mills
Jeff Mills is many things. He's foremost a DJ and producer, but also a broadcaster, label owner and sound engineer. He's been the Wizard, the...
John Peel
John Peel needs no introduction. Long-time DJ for Britain's highest profile radio station, he became a legend in his own lifetime with his all-encompassing approach to show programming. Back in 2002, Nick Doherty talked to the Radio 1 jockey who was an inspiration for generations.
DJ Bone
Think of Detroit techno and DJ Bone might not be high on your list of luminaries. As part of the city’s second wave of producers, Bone's presence in the UK has been largely limited to persistent DJing visits, through which he has fostering a hardcore following to his many excellent productions.
Mick Harris
There is a grouping of ex-rock terrorists who, while largely ignored by the media and left out of musical fashions, have remained perhaps England's...
Photek
Clocking in as one of 2000's finest electronic albums, Photek's Solaris met with as much suprise as it did critical acclaim. Rupert Parkes takes stock of his junglistic success and tells Paul Gannaway why the future’s brighter than ever.
Rob Brown (Autechre)
Ratboy Pimp got on the blower to Autechre's Rob Brown to find out more about their curation of the All Tomorrows Parties event in April 2003.
Mike Paradinas
For Mike Paradinas the need to make beautiful and crazy music is paramount. The need to explain it isn’t, as Overload’s Richard Wilkes discovers.
Luke Vibert
Luke Vibert gets cheese caught in his goatee as he goes head to head with celebrated pedal steel guitarist BJ Cole on a collaborative album project. Hawaiian hip hop anyone?
Ty
Since the release of his debut album, Awkward, Ty has made a lightning transition from underground MC to become the mouthpiece of the...
Burnt Friedman
Making waves with rattling rimshots and gargantuan bass, Cologne resident Burnt Friedman (aka Bernd Friedmann) has been shaking up dub-wise sensi-bilities with an album recorded at a secret hideaway off the New Zealand coast.
Subhead
I didn’t set out to find information on nano-technology and atom bomb physics, but when I entered the word ‘subhead’ into a search...
Certificate 18
You don't need to be a clued-up-to-the-eyeballs junglist to realise the extent of Certificate 18's influence in the evolution of drum 'n' bass – the label that introduced the world to Photek, Digital and Source Direct.
deFocus
Clear was one of the most respected imprints for electro-funk and emotive electronica during the nineties, releasing material by Plaid, Jedi Knights, Dr Rockit, Metamatics and Morgan Geist, among others. Then silence.
Worm Interface
From breakneck-speed beats and bass to emotive ambience within the space of one release, this imprint boasts a level of artistic freedom that most...
Future Sound Of London
Tamara Palmer investigates Future Sound of London's creative alliance and the underlying themes behind their album, The Isness.
Tony Morley
Many record labels lay claim to eclecticism in the realm of electronic music, yet few fulfil the brief as genuinely as Tony Morley's Leaf imprint. Theresa Green met up with the label boss in the garden of a leafy Brixton boozer back in 2000.
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