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Welcome to Spannered’s music feature and review archive. What’s in here then? Well, since the site was launched in 2006, Spannered has run in-depth interviews with globetrotting tastemakers Kode9DJ Ripley and Maga Bo, tripped over to Barcelona's Sónar festival, fallen over at the first ever Bloc Weekend, toured New York's global music circuit and gotten tinnitus in Bristol and São Paulo.
 
Spannered's archive stretches all the way back to 2000, however. Have a dig about and you'll unearth interviews and features with Jeff Mills and Photek, write-ups of Cat Power and Caribou gigs, and album reviews spanning Aphex Twin to NoMeansNo.
 
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Having gained an enviable position as black metallers who don’t suffer any of the trappings of said genre (corpse paint, painfully funny dark...
It's rare to hear an album of any genre which exudes perfection, but on Escapism Boris Bunnik (aka Conforce) possibly comes as close as any...
This is the debut release of new label Rednetic, which claims to be the home of innovative ‘breakbeat electronica’ and claims this first...
Techno music is a funny old game at the moment. The merest hint of fashion, or ego, and the old guard are up in arms. In 2008 then, they are...
As one of the very few truly independent Japanese labels left in existence, respect is due to Escalator Records. Ranging from the screwball...
EPM is a company that has been steadily supporting quality electronic music for the past 10 years. From their bases in Maastricht and London,...
The philosophy behind Douglas Benford's 4th si-cut.db album is a fascinating one. Apparently constructed partly from samples of woodwork noises,...
Chris Clark plunged onto the scene two years ago with the frenetic, restless Clarence Park. Ranging from hyperactive distorted breaks to...
Anyone familiar with the big crunch theory? The one where the decreasing thrust of the big bang combined with ever present gravity means that, one...
Electroblue is a synaesthesically perfect title for this release. A fat, fuzzy, quartzy, highly synthetic sound is bumped along by chunky, restless...
Another case of the title influencing the decision to purchase, although being on Skam often serves to recommend. But never before has Skam sounded...
Japanese techno is intrinsically linked with the name of Ken Ishi. His productions, never easily pigeonholed by the music press, have always been...
Along with Stephen Mallinder and Chris Watson, Richard H Kirk was Cabaret Voltaire (although Watson left the band as early as 1983). Along with...
Cristian Vogel returns to techno’s arms after the much-celebrated jiggery-pokery of the deliriously smooth Super_Collider album with a double...
The latest of one Tatsuya Joseph Yoshide, he of the previous incarnation on Sub Rosa as Rom=Pari. The press release states that Joseph's strengths...
Second artist release for RRR and its a bit of a departure from the sound of first by Super_Collider for this nascent Brighton label. Whereas the...
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